Stone Court
Low-rise, high-density housing around a shared ground
A studio organised around three questions: what carries the building, where the light comes from, and what happens in the first three metres above the pavement.
Selected work (6)We design buildings that can be repaired, re-used and misused for a long time.
The studio works from the section outward. Structure, daylight and circulation are settled before surface, and each project is tested as a physical model before it is drawn in three dimensions. What follows from that method is usually a plainer building than the brief expected, and a more useful one.
Our work is currently organised as design research: a set of typological studies that examine housing density, civic daylight, industrial reuse, workplace section and the covered public room. Each study states its argument, its construction and its limits.
Low-rise, high-density housing around a shared ground
Walking, measuring, photographing, and reading the constraints that already exist before proposing anything.
Turning requirements into spatial terms: areas, adjacencies, orientation, and what the project is actually for.
A small number of clearly different options, tested in section and model, each with a stated argument.
One direction resolved: plan, section, structure and envelope brought into agreement.
Materials, junctions and performance developed with consultants; the drawings become buildable.
The full construction set, specified so that the intent survives procurement.
Statutory submissions and consultant coordination, managed as design work rather than administration.
Regular attendance, review of samples and mock-ups, and resolution of what the drawings could not anticipate.
Thin, layered construction is efficient on a spreadsheet and fragile in a building's second half-century. A note on mass, repair and the things a wall can do when it is allowed to be deep.
Most of what a building gives a city happens in its first three metres. A note on why the studio starts every project at the ground plane and works upward.
On why the studio still sections everything by hand before it is modelled, and what gets lost when the first act of design is a render.
Tell us about the site before you tell us about the building.
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